Calendar
Upcoming Events
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02/22/2012
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02/22/2012
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02/22/2012
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02/22/2012
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02/23/2012 - 02/24/2012
Upcoming Events
Ming Wong: Making Chinatown @ REDCAT
Opening Reception
Saturday, February 4 | 6–9pm
Gallery Hours
Tuesdays - Sundays | noon - 6pm or intermission
REDCAT: For his first solo exhibition in Los Angeles, Berlin-based Singaporean artist Ming Wong creates a series of video sculptures and scenic backdrops that center around the making of Roman Polanski’s seminal 1974 film Chinatown. Read more
Art School Gallery Exhibitions
D300 Gallery: Gracie DeVito MFA
D301 Gallery: Mary Hill MFA
L-Shape Gallery: Henry Crouch BFA
Main Gallery Perimeter: Jenny Lin BFA
A402 Gallery: Alyssa Haynie BFA
Lime Gallery: "Towards a Brixus" Jon Merritt BFA
Mint Gallery: Haley Franklin BFA
Paul Brach Visiting Artist Lecture Series Presents: Thomas Lax
Studio Visits Only
West Hollywood Lecture Series: 'All Theatre, All the Time, Now'
West Hollywood Library, City Council Chambers
CRITICAL STUDIES: Nicholas Ridout’s work is concerned primarily with a political understanding of the theatrical event as an instance of cultural production, an affective experience and a mode of social organisation. Current projects include a book on work in modern theatre. Provisionally entitled Passionate Amateurs: Theatre, Communism and
Love, this book takes the figure of the amateur --– understood as the person who makes theatre out of love --– as a way of developing a theoretical and historical account of the idea of community in twentieth and twenty-first century theatre and performance.
Kate Elswit is an academic and dancer whose research on performing bodies combines cultural analysis, dance history, performance theory, German studies, and experimental practice. Before receiving her PhD in German from the University of Cambridge, she completed an MA in European Dance Theatre Practice at Laban, and undergraduate degrees in Dance and Comparative Literary Studies at Northwestern University. She came to Stanford University in 2009 as a postdoctoral fellow in the Andrew W. Mellon Fellowship of Scholars in the Humanities, and has taught courses listed in the departments of Drama, German Studies, Art History, and in the Dance Division. Between 2006-2009, Kate taught practical and theoretical courses in the graduate school at Laban, as well as interdisciplinary undergraduate topics at the University of Cambridge. She was also on the commission for MA Solo/Dance/Authorship, Germany’s first practice-led masters degree in dance.
Stars, Songs, Faces: An MFA Graduation Recital by Alex Wand
CalArts, The Wild Beast
MUSIC: A night of original compositions and songs by Alex Wand.
Philip Rankin: MFA Jazz Recital
CalArts, Roy O. Disney Music Hall
MUSIC: A celebration of everything I love about music, with people I love, featuring Bubbeleh (with Yiddish Dance Leader), Curious Inquiries, CalArts Salsa Band, Shosty Bart, and The Saturday Morning Fun-Time Word Band!!!
Paul Brach Visiting Artist Lecture Series Presents: Neal Medlyn
Paul Brach Visiting Artist Lecture Series Presents: Neal Medlyn
Performance
At CalArts F200
6:00 PM
Black History Month Panel Discussion—Minority Artists in the Entertainment Industry
CalArts, Coffeehouse Theater
INSTITUTE: Panel discussion of celebrity stage, film, and television artists addressing their experiences in the industry as minorities.
Critical Studies MFA Writing Program Final Thesis Reading: Kenyatta Hinkle & Gina Caciolo
CalArts, Butler Building 4 - The Cube
CRITICAL STUDIES
ESP Night #2
CalArts, Roy O. Disney Music Hall
MUSIC: An evening of electronic & experimental music, composed and performed by students in the Experimental Sound Practices program.
Ben Schwab: Graduation Recital
CalArts, The Wild Beast
MUSIC: A night of live music with several musical acts.
Mariano Pensotti: 'The Past Is A Grotesque Animal' ('El pasado es un animal grotesco') @ REDCAT
REDCAT: A large-scale revolving set magically transforms into dozens of different locales in this internationally acclaimed work from Argentine writer-director Mariano Pensotti. The Past follows the evolution of a quartet of characters as Argentina’s economy collapses and their lives take unexpected twists and turns in a fast-paced, multilayered “mega-fiction.” Read more
Poetry Slam
CalArts, Coffeehouse Theater
THEATER: A spoken word poetry competition.
The Tournées Festival/Film Today: 'L'illusionniste' ('The Illusionist')
CalArts, Bijou Theater
L'illusionniste
The Illusionist
Sylvain Chomet
2010 / 80 min.
FILM/VIDEO: Sylvain Chomet’s delightful follow-up to 2003’s The Triplets of Belleville is another exquisitely animated film, one based on an unproduced script by the French comic genius Jacques Tati. The Illusionist is set in the early 1960s, the time when Tati wrote the screenplay after his huge success with Mon Oncle (1958).
This event is part of The Tournées Festival, the weekly series of new French films on campus.
Support for the Tournées Festival is provided by:
- The French Ministry of Foreign and European Affairs / The Centre National de la Cinématographie
- The Florence Gould Foundation / The Grand Marnier Foundation / highbrow entertainment.
- www.facecouncil.org
Queer Pier Workshop with Thomas Lax
Queer Pier Workshop with Thomas Lax
February 24, 2012
5-7pm
ONE National Gay & Lesbian Archives
909 West Adams Boulevard
Los Angeles, CA 90007
Queer Pier: 40 Years is a two-part workshop that includes a lecture and discussion. Thomas Lax will discuss Queer Pier: 40 Years, a year-long arts-based archiving project initiated by FIERCE—a queer youth of color organization in New York City—to mark its ten-year anniversary in 2010. This multistakeholder project documented and celebrated the history of radical organizing on The Piers along Manhattan's West Side. The lecture will be followed by a discussion about interactivity, participation and public engagement in the archive. Participants should bring ideas, projects and materials to workshop.
All attendees are invited to stay following the workshop for a reception sponsored by the Queer Caucus for Art subcommittee of the College Art Association.
Thomas J. Lax is Exhibition Coordinator and Program Associate at the Studio Museum in Harlem. In addition to organizing OFF/SITE, a year-long collaboration with the Goethe-Institut, New York, he has organized exhibitions with artists including Mark Bradford, Lyle Ashton Harris, Kalup Linzy, Rodney McMillian, Robin Rhode and Xaviera Simmons. He has also written for artist monographs both locally and internationally at venues including Artists Space; Cuchifritos; Kunstnernes Hus; MoMA PS1; Real Art Ways; and Rush Arts Gallery. He received his BA from Brown University in Africana Studies, and will
receive an MA in Modern Art from Columbia University in 2012.
This event is co-sponsored by CalArts, The Contemporary Project (TCP) and ONE National Gay & Lesbian Archives.
CalArts
The Contemporary Project (TCP) is a multi-year initiative to create new dialogues between the academy and the art world. TCP is jointly sponsored by the College of Letters, Arts, and Sciences and the Roski School of Fine Arts at USC.
ONE National Gay & Lesbian Archives is the oldest active LGBTQ organization in the United States and the largest repository of LGBTQ materials in the world. Founded in 1952, ONE Archives became a part of USC Libraries in 2010.
Why We Flip Coins
CalArts, Roy O. Disney Music Hall
MUSIC: Three solo dances, piece for two (prep & non-prep) pianos, rock-ish band set (three songs), and laptop improvisation.
Queer Caucus for Art reception at ONE Archives
February 24, 2012
7-9pm
ONE National Gay & Lesbian Archives
909 West Adams Boulevard
Los Angeles, CA 90007
In conjunction with the College Art Association 2012 Annual Conference, the Queer Caucus for Art will host a reception at ONE Archives for QCA members and the public. ONE Archives is currently presenting Cruising the Archive, a three-part exhibition as a part of Pacific Standard Time, and To Whom It May Concern, a site-specific installation by artist Catherine Lord.
On view at ONE National Gay & Lesbian Archives:
Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980 is a three-part exhibition that explores the relationship between artistic practices and LGBTQ histories through artworks, objects, and documents culled from the collections at ONE National Gay & Lesbian Archives. The most comprehensive exhibition of materials from ONE Archives, Cruising the Archive is presented as a part of Pacific Standard Time.
In conjunction with Cruising the Archive, Catherine Lord has produced a site-specific installation, To Whom It May Concern. Borrowing its title from the dedication of John Cage’s book Silence, To Whom It May Concern explores a network of generosity. Photographs of several hundred book dedications, considerably enlarged, are presented along the mezzanine space above the closed stacks of ONE’s library.
For more information on Cruising the Archive and To Whom It May Concern, please visit
http://cruisingthearchive.org/
Co-sponsored by Queer Caucus for Art subcommittee of the College Art Association and ONE National Gay & Lesbian Archives.
It is the purpose of the Queer Caucus for Art: the Lesbian, Gay, Bisexual, Transgender Caucus for Art, Artists & Historians to nurture and encourage the study of gay, lesbian, bisexual and transgender history, theory, criticism, and studio practice in the arts; and to provide, through its various events, better communication among its members, the academic and the gay, lesbian, bisexual and transgender community, and the public at large.
ONE National Gay & Lesbian Archives is the oldest active LGBTQ organization in the United States and the largest repository of LGBTQ materials in the world. Founded in 1952, ONE Archives became a part of USC Libraries in 2010.
Sheena Wenger: Graduation Recital
CalArts, The Wild Beast
MUSIC: Recital featuring piano solo, bass/cello duo, woodwind quartet, string quartet, string quartet with three vocalists, and original compositions by Sheena Wenger, performed by Sheena and friends.
Music to Movement
CalArts, Coffeehouse Theater
MUSIC: A collaboration of composers and choreographers.
Will Wulfeck: MFA Mid-Residency Jazz Trombone Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Recital featuring a jazz quintet (trombone, sax, tuba, guitar, drums) and a rock band (vocals, guitar, bass, drums).
The Chalumeau Chronicles: Ryan Espinosa's BFA Mid-Residency Recital
CalArts, The Wild Beast
MUSIC: An evening of unaccompanied works, solo repertoire and chamber music for clarinet.
Trina Dye: MFA Graduation Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Solo graduation piano recital, celebrating the 200th birthday of Franz Liszt, and featuring works by Liszt, Mozart, Chopin and Ligeti.
Amir Oosman: MFA Performer-Composer Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Recital featuring World Percussion Trio, Jazz/Hip Hop Sextet, Fusion Trio, Max MSP Project & possible marimba, and Harp & Cello Trio.
Sounding Out
CalArts, The Wild Beast
MUSIC: A concert of undergraduate and graduate composers' works.
Joshua Carro: Performer/Composer Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Recital by Joshua Carro, performer/composer, featuring Chris Schunk and Max Wunderman.
Undergraduate Composers Concert Series
CalArts, Roy O. Disney Music Hall
MUSIC: The third concert, in a series of four, featuring the work of undergraduate composition majors at CalArts.
Final concert of the series:
- April 30, 2012
Paul Brach Visiting Artist Lecture Series Presents: Payam Sharifi of Slavs and Tatars
Paul Brach Visiting Artist Lecture Series Presents: Payam Sharifi of Slavs and Tatars
At CalArts F200
6:30 PM
Tall Grande Venti
CalArts, Coffeehouse Theater
THEATER: An evening of long form improv.
Lamentations (original music for choir & strings by James Tatti)
CalArts, The Wild Beast
MUSIC: Solo composer's concert.
Stefan Kac: Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Recital featuring music for tuba trio and other odd combinations by Stefan Kac.
Past Events
Practicum
Practicum
Practicum is limited to the School of Art.
Add/Drop Classes
Add/Drop Classes
Art School Gallery Exhibitions
D300 Gallery: "Woot Woot NFL!" Elin Lennox MFA
D301 Gallery: "Inside Out" James Brush MFA
L-Shape Gallery: "A Daughter's Father" Tamara Rosenblum MFA
Main Gallery Perimeter: "The Difficult Task of Erasing a Thought" Camilo Restrepo MFA
A402 Gallery: "MY GHOST DANCE, SCAVENGED AND BARTERED" Eve LaFountain MFA
Lime Gallery: "Schmatte" Rosyln Cohen MFA
Mint Gallery: "AFTER MY DEATH I'LL STILL BE BORED" Emily Shanahan MFA
A Forum on Violence Against Women
CalArts, Main Gallery
CRITICAL STUDIES: This dynamic forum will present multiple perspectives on issues of violence against women, highlighting mass rapes in militarized zones and grassroots efforts to end violence against women.
Presented as part of the Collaborative course cluster “Women, Community Engagement, Resistance and Transdisciplinary Activism” and CODEPINK.
The Calarts event is part of Getty Pacific Standard Time events throughout Southern California working with artist Suzanne Lacy.
Nick Baker and Evan Jiroudek: BFA Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Nick and Evan will each present a one hour musical performance, featuring Even Oceans and Evan Jiroudek Quartet.
The Herb Alpert School of Music Visiting Artist: Donald Miller
CalArts, C105
MUSIC: The Voice program presents visiting artist Donald Miller, as part of the Voce Vista Software Program class.
Paul Brach Visiting Artist Lecture Series Presents: Allan Sekula
Paul Brach Visiting Artist Lecture Series Presents: Allan Sekula
At CalArts F200
6:00 PM
MFA Writing Program Visiting Artist Series: No Need to Perish: Tenacity & Indie Publishing: Two Dollar Radio, Kaya Press, Poets & Writers and Sandra Dijkstra Literary Agency
CalArts, Butler Building 4
CRITICAL STUDIES: This evening's panel is dedicated to the can-do spirit of independent publishing, from the perspectives of four experienced and dedicated professionals in the field who also have had a direct impact on the public presence of CalArts MFA Writing Program alums. Cheryl Klein of Poets & Writers, Eric Obenauf of Two Dollar Radio, Patricia Wakida of Kaya Press and Elise Capron of Sandra Dijkstra Literary Agency will present their roles, responsibilities, objectives and experiences within the world of literature, as well as engage in discussion about publication prospects, preparedness and procedures for the emerging writers, editors, publishers, agents and arts administrators among you.

Cheryl Klein directs the California office of Poets & Writers, Inc., where she has worked since graduating from CalArts in 2002. She is the author of Lilac Mines (Manic D Press) and The Commuters, which won City Works Press’ Ben Reitman Award. She recently received a grant from the Center for Cultural Innovation to complete a novel about wayward circus performers. Her fiction has appeared in The Normal School, Other, and several anthologies.
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Poets & Writers, Inc., is the primary source of information, support, and guidance for creative writers. Founded in 1970, it is the nation's largest nonprofit literary organization serving poets, fiction writers, and creative nonfiction writers. Our national office is located in New York City. Our California branch office is based in Los Angeles.

Eric Obenauf is the publisher and editor in chief of Two Dollar Radio. His writing on the publishing industry has appeared in The Brooklyn Rail, The Rumpus, and other places. He was spotlighted by the industry trade magazine Publishers Weekly as one of 50 up-and-coming individuals working in publishing under the age of 40.
Two Dollar Radio is a family-run book publishing outfit based in Columbus, Ohio, whose titles have been honored by the National Book Foundation, chosen as Editors' Choice selections by the New York Times Book Review, and made year-end best-of lists at O: The Oprah Magazine, Time Out New York, NPR, and The Believer. The Seattle Stranger envisioned them leading a “dream industry” out of the wreckage of corporate publishing.

Patricia Wakida is a writer, artist and cultural worker currently based in Los Angeles, CA, after twenty-five years in Oakland, CA. She was born in San Diego, California and raised between Honolulu, Hawaii and Fresno, California. She is the editor of two publications on the Japanese American experience, Only What We Could Carry: The Japanese American Internment Experience, and Unfinished Message: the collected works of Toshio Mori, and served as project coordinator for dozens of other publications on California history.
She has worked as a literary and community historian in the state of California for the past fifteen years, most recently as Associate Curator of History at the Japanese American National Museum. She has extensive experience working in literary communities, including nearly a decade with cultural institution Heyday Books, the Oakland Museum of California, the National Japanese American Historical Society, California Council for the Humanities, California State Library, the California Historical Society and the Alliance for California Traditional Artists. She has served on various non-profit boards including Mills College Alumnae Association, Poets & Writers California, San Francisco Center for the Book, Kaya Press, California Studies Association and Heyday Institute.
Patricia has worked as an apprentice papermaker in Gifu, Japan and as an apprentice letterpress printer and hand bookbinder in California; she maintains her own linoleum block and letterpress business under the Wasabi Press imprint.

Kaya Press has been publishing cutting-edge Asian diasporic writers for more than 15 years. Kaya and its authors have won numerous awards, including the Gregory Kolovakas Prize for Outstanding New Literary Press, the American Book Award, the Association for Asian American Studies Book Award, the PEN Beyond Margins Open Book Prize, the Asian American Writers' Workshop Award, and the PEN Oakland Josephine Miles Prize.
Kaya was the name of a tribal confederation of six Korean city-states that existed from the middle of the first until the sixth century CE. Although the Kaya kingdom was an iron-age culture, it is remembered as a utopia of learning, music, and the arts due to its trade and communication with China, Japan, and India.
The word “Kaya” has meaning in many major languages. In Japanese it is “summer night” or a type of yew tree that withstands harsh environmental conditions. In Malay, “kaya” means “rich,” in Indonesian, “prosperous,” and in Tagalog “to be able.” In Sanskrit, “kaya” means “body,” and in Turkish it means “rock.” In Zulu, “kaya” means “home.”

Elise Capron is an agent at the Sandra Dijkstra Literary Agency, which was established nearly 30 years ago and is known for guiding the careers of many best-selling fiction and non-fiction authors, including Amy Tan, Lisa See, Maxine Hong Kingston, Chitra Divakaruni, Eric Foner, Chalmers Johnson, and many more. Elise is most interested in serious character-driven literary fiction, well-written narrative nonfiction, and short story collections.
A graduate of Emerson College, Elise holds a BFA in Writing, Literature and Publishing, and served on the editorial staff of the Emerson Review during her time there. She interned at Harcourt and the Dijkstra Agency before joining the agency full-time in late 2003.
Elise is interested in fiction that has unforgettable writing, a terrific narrative voice/tone, and memorable characters. She loves novels with an unusual or eccentric edge, and is drawn to stories she has never heard before. On the nonfiction front, Elise is looking for many of these same qualities: fascinating true stories told in a compelling way. She aims to work with writers who are getting their work published regularly in magazines and who have a realistic sense of the market and their audience. Some of Elise's recent and soon-to-be-published books include Tiphanie Yanique's How to Escape from a Leper Colony (Graywolf) and The Land of Love and Drowning (Riverhead), Maureen McHugh’s After the Apocalypse which was picked as one of the “Top Ten Best Books of 2011” by Publishers Weekly (Small Beer Press), Courtney Brkic’s The Sun in Another Sky (Little Brown), Rikki Ducornet's Netsuke (Coffee House), Jonathon Keats' Virtual Words (Oxford) and The Book Of The Unknown (Random House), Jack Shuler's Blood and Bone (University of South Carolina) and The Noose: A History (Public Affairs).
Nic Salas: BFA Graduation Recital
CalArts, The Wild Beast
MUSIC: Solo and chamber works by Sarasate, Shostakovich and Dvorak, with friends.
Kristin Erickson Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Second year DMA Performer-Composer recital.
Early Morning Opera: 'Abacus' @ REDCAT
REDCAT: Fresh from performances at the Sundance Film Festival, award-winning director and media artist Lars Jan and his company Early Morning Opera employ the latest in high-tech wizardry to explore the seductive power of multimedia persuasion, including TED-style presentations and video-enhanced megachurch events. Read more
T-Shirt Show
CalArts, Cafeteria
ART: Graphic design program's T-Shirt Show featuring shirts for sale.
Film Today: Alpert Award Recipient Natalia Almada Residency at CalArts
CalArts, Bijou Theater
FILM/VIDEO:
El General, 2009
In 1910 a revolution erupted in Mexico, among its rallying cries "the right to vote." Nearly a century later "Sufragio Efectivo" is heard again as thousands take to the streets. Through the legacy that filmmaker Natalia Almada inherited as the great-granddaughter of Mexican president Plutarco Elias Calles (1924-1928), one of Mexico's most controversial revolutionary figures accused of having been a "Dictator," "Iron Man" and "Nun-Burner," yet also acclaimed for having been the "father of modern Mexico," El General is a portrait of a family and a country under the shadow of the past.
Winner: Documentary Directing Award, Sundance Film Festival
Natalia Almada is a recipient of the of the 2011 Alpert Award in Film/Video, a $75,000 prize given annually to important, risk-taking artists. In 2009 she received the Sundance Documentary Directing Award for El General, and her most recent film El Velador premiered at New Directors/New Films and the Cannes' Directors' Fortnight. Her previous credits include All Water Has a Perfect Memory, an experimental short film that received international recognition; Al Otro Lado, her award-winning debut feature documentary about immigration, drug trafficking and corrido music. Almada’s films have screened at The Sundance Film Festival, The Museum of Modern Art, The Guggenheim Museum and The Whitney Biennial and all three feature documentaries have broadcast on the award-winning series POV. Almada is a MacDowell Colony Fellow, a 2008 Guggenheim Fellow and a 2010 USA Artist Fellow. She graduated with a Masters in Fine Arts in photography from the Rhode Island School of Design and shares her time between Mexico City and Brooklyn, New York.
Visit
http://www.altamurafilms.com/
http://www.alpertawards.org/thework/index.html
for more information.
Natalia Almada will be in residence at CalArts from Monday, Jan 30-Fri, Feb 3 and is offering a workshop. Please see the School of Film/Video for more information.
Sean Fitzpatrick: Mid-Residency Jazz Drums Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Jazz drum set recital featuring the Larry Koonse Fall 2011 Faculty Ensemble, Brundlefly, and Bubbelluh: CalArts Klezmer!
Warm is Good Too
CalArts, Roy O. Disney Music Hall
MUSIC: Mid-residency recital featuring original compositions/arrangements performed by Caroline Cirone and Kevin Robinson.
The Long Books: John Cage's Complete 'Song Books'
CalArts, Main Gallery, L-Shape Gallery, Roy O. Disney Music Hall Foyer, Main Reception Area
MUSIC: A complete performance of the Song Books by John Cage.
Art School Gallery Exhibitions
D300 Gallery: "Home Sweet Home" Thomas Divita BFA
D301 Gallery: "Blobs" Sarah Heysel BFA
L-Shape Gallery: "The Earth Moves Like Liquid" Scott Oshima BFA
Main Gallery Perimeter: "It's not a theory or anything, just something I was thinking about" Páll Björnsson MFA
A402 Gallery: "Rutilio Leaves Behind...Manuel Leaves Behind..." Erin Zadrozny BFA
Lime Gallery: "7129 Is No Longer Made; I Like Other Colors Too." Autumn Brannon BFA
Mint Gallery: "Aimless..." Jorge Enrique Gonzales BFA
Dancing with Demons
CalArts, Roy O. Disney Music Hall
MUSIC: Music Technology recital featuring performances by Ashley Jacobson and friends.
Paul Brach Visiting Artist Lecture Series Presents: Brendan Fowler
Paul Brach Visiting Artist Lecture Series Presents: Brendan Fowler
At CalArts F200
6:30 PM
Structuring Strategies: The NFB in 90 minutes (or thereabouts)…as presented by Michael Fukushima
CalArts, Bijou Theater
FILM/VIDEO: Can a 61 year-old’s life be told in 90 minutes? Of course not. But NFB producer Michael Fukushima will do his best to showcase the range and style of auteur short-form filmmaking that has epitomized the NFB Animation Studio since its founding in 1941, and made it one of the pre-eminent and most successful studios around.
A 90-minute film programme followed by Q+A session.
- Neighbours (Norman McLaren, 1952, 8:06)
- Bead Game (Ishu Patel, 1977, 5:35)
- The Cat Came Back (Cordell Barker, 1988, 7:41)
- When The Day Breaks (Amanda Forbis/Wendy Tilby, 1999, 9:40)
- Ryan (Chris Landreth, 2004, 13:54)
- cNote (Chris Hinton, 2004, 6:55)
- Jaime Lo, small and shy (Lillian Chan, 2006, 7:48)
- Muybridge’s Strings (Koji Yamamura, 2011, 12:39)
Plus a special treat of two bonus films!
About the NFB
The National Film Board of Canada has led the way in auteur animation since 1941, when cinema pioneer Norman McLaren founded its first animation unit. Since then, NFB animators have created groundbreaking films across a wide array of techniques and styles. Today, the NFB is developing groundbreaking interactive productions, while pioneering new directions in 3D stereoscopic film, community-based media, and more.
Since the NFB's founding in 1939, it has created over 13,000 productions and won over 5,000 awards, including 12 Oscars, and 4 Webbys. Over 2,000 NFB productions can be streamed online at NFB.ca, as well as via partnerships with the world's leading video portals, while the NFB's growing family of apps for smartphones and tablets delivers the experience of cinema virtually everywhere.
Most recently, the NFB has been honoured with its 71st and 72nd Oscar nominations, for Dimanche (Patrick Doyon) and Wild Life (Amanda Forbis/Wendy Tilby).
Off the Grid II
CalArts, The Wild Beast
MUSIC: Live, improvised and electronic music.
Music + Image @ REDCAT
REDCAT: in the early 1980s, many artists were excited by the possibility of showing video art on television—a promise that was broken by commercialism. By turns humorous, pensive, or even abstract, this selection of short videos highlights some of the era’s most compelling video art accompanied by music. Read more
A Memorial for a Noble Mustache
CalArts, Roy O. Disney Music Hall
MUSIC: Original music by Steven van Betten, Greg Uhlmann, and Aquadeer.
Themed Voice Event
CalArts, The Wild Beast
MUSIC: An evening of original scenes written and performed by Vocal Arts students and special guests.
Chouinard: An Overture @ REDCAT
REDCAT: CalArts President Steven D. Lavine hosts an evening dedicated to one of the great early forces in the emergence of Los Angeles as an international art center: the Chouinard Art Institute—CalArts’ predecessor institution. Joining the discussion are Chouinard alumna Alice Estes Davis, filmmaker Gianina Ferreyra, and other invited guests. Read more
Paul Brach Visiting Artist Lecture Series Presents: Cauleen Smith
Paul Brach Visiting Artist Lecture Series Presents: Cauleen Smith
At CalArts F200
6:00 PM
The Herb Alpert School of Music Visiting Artist: Thomas Köner
CalArts, Machine Lab
MUSIC: The Music Technology program presents visiting artist Thomas Köner, as part of the Music Tech Forum class.
Aquadeer and Division Threshold in Tatum
CalArts, Tatum Lounge
MUSIC: Live music by bands Aquadeer and Division Threshold.
MFA Writing Program Visiting Artists Series: Sharifa Rhodes-Pitts
CalArts, Butler Building 4
CRITICAL STUDIES: Sharifa Rhodes-Pitts is a writer whose work has appeared in Transition, The New York Times, Harper’s, Vogue, and Essence among others. She has received awards from the Rona Jaffe Foundation, the Lannan Foundation, and the New York Foundation for the Arts, and has been a guest to The Tavis Smiley Show. Originally from Houston, Texas, she graduated in 2000 from Harvard University and was a Fulbright Scholar in the United Kingdom. Sharifa is writing a trilogy on African-Americans and utopia; her first book, Harlem is Nowhere, was published in 2011 by Little, Brown & Company and by Granta Books (UK). It was named to the New York Times list of 100 Notable Books for 2011.
Matty Harris Double Septet
CalArts, Roy O. Disney Music Hall
MUSIC: New music performed by alumni, faculty and students.
Klarinette Kitten Konzert
CalArts, The Wild Beast
MUSIC: A concert of music inspired by Cats!, for solo clarinet, 2 clarinets, clarinet and piano, 3 clarinets and soprano, and clarinet quintet, featuring faculty, alumni and students.
Student Choice / MFA1 Dance Concert
CalArts, Sharon Disney Lund Dance Theater
DANCE: The Sharon Disney Lund School of Dance presents a student-curated concert of choreography by BFA students and MFA students including Daniel Charon, Cesilie Kverneland, and Rebecca Lemme.
Tall Grande Venti
CalArts, Coffeehouse Theater
THEATER: An evening of long form improv.
The Tournées Festival/Film Today: 'White Material'
CalArts, Bijou Theater
White Material
Claire Denis
2008 / 102 min.
FILM/VIDEO: Marking the first collaboration between two titans of French cinema—director Claire Denis and actress Isabelle Huppert—White Material unfolds as a fever dream, a haunting, enigmatic look at the horrors of colonialism’s legacy, a subject that Denis first explored in her semiautobiographical debut feature, Chocolat (1988).
This event is part of The Tournées Festival, the weekly series of new French films on campus.
Support for the Tournées Festival is provided by:
- The French Ministry of Foreign and European Affairs / The Centre National de la Cinématographie
- The Florence Gould Foundation / The Grand Marnier Foundation / highbrow entertainment.
- www.facecouncil.org
CEAIT Festival @ REDCAT
REDCAT: Vintage electronics share a stage with the newest sonic technology when acclaimed Dutch composer Thomas Ankersmit highlights a two-night festival. Friday’s "Noise Night" features L. Damion Romero and noise pioneers Zbigniew Karkowski and Xopher Davidson. Saturday’s “Ambient Night” features Ankersmit along with zerfall_gebiete, Thomas Köner and Ulrich Krieger. Read more
'Cloud 9'
CalArts, Coffeehouse Theater
THEATER: Performance of Cloud 9 (student project) theatrical play.
2012 Character Animation Gallery Show
CalArts, Main Gallery
FILM/VIDEO: Character Animation winter show.
Adam Wolf & Jessica Waithe: BFA Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Mid-residency recital.
Claire Wang: MFA Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Jazz piano recital featuring music for solo piano, duo, trio and quartets.
A Concert of Ragas with Will Marsh & Friends
CalArts, Roy O. Disney Music Hall
MUSIC: A concert of North Indian classical music for sitar & tabla.
Ryan Glass: In Concert with Emi Tamura
CalArts, The Wild Beast
MUSIC: An evening of clarinet repertoire featuring works by Vaughan Williams, Verdi, Tomasi, Lyons and Arnalds, with guest flutist Elaine Cho.
The Magic of Solidarity: Shahrnush Parsipur and Suheir Hammad, with Persis Karim @ REDCAT
REDCAT: Two courageous authors, novelist Shahrnush Parsipur and poet Suheir Hammad, have fiercely insisted on voicing consciousness and social criticism. Joined by editor and scholar Persis Karim, who moderates, this evening is devoted to creative conviction linking nations, genres, and generations. Read more
Shahrnush Parsipur was born in Tehran in February 17, 1946. She started her literary career when she was sixteen, writing short stories and articles. She graduated from the University of Tehran in Sociology. When she was twenty-eight, she wrote her first novel, Sag va Zememstaneh Boland (The Dog and the Long Winter – translated into Russian). She is the author of several additional novels, including Touba and the Meaning of Night (adapted into a film by Shirin Neshat), and the first ever Iranian science fiction novel, Bar Baaleh Badd Neshestan (On the Wings of Wind), two novellas, including the acclaimed Women Without Men, and three collections of short stories. Parsipur has been imprisoned several times for her activism and for the feminist content of her fiction, much of which is banned in Iran. Due to the problems associated with the revolution in Iran in 1979, she could not complete her education in France, and had to return to Iran. As a result of a misunderstanding, she ended up in the Islamic Republic of Iran's political prison, for four years and seven months, and later, because she openly referred to the issue of virginity in her novella Women Without Men, she was imprisoned twice more. She is also the author Prison Memoir, and two collections of short stories. In 2003 she received the International Writers Fellowship from the Brown University, and is the recipient of numerous awards. Her works have been translated into English, Swedish, Spanish, Malayalam, Italian, Dutch and French. Ms. Parsipur currently lives in Northern California.
Suheir Hammad is the author of ‘breaking poems’, recipient of a 2009 American Book Award, as well as the best selling ‘ZaatarDiva’, ‘Born Palestinian, Born Black’ and ‘Drops of This Story’. She has been the Artist in Residency at the NYU’s APA Institute, as well as a recipient of the Copeland Fellowship at Amherst College. She appeared in the 2008 Cannes Film Festival Official Selection, ‘Salt of This Sea’. Her produced plays include ‘Blood Trinity’ and ‘breaking letter(s)’, and she wrote the libretto for the multimedia performance ‘Re-Orientalism’. An original writer and performer in the TONY award winning Russell Simmons Presents Def Poetry Jam on Broadway, Suheir appeared on every season of the HBO show that inspired the Broadway run and world tour.
Persis Karim is a poet, editor and professor of literature and creative writing at San Jose State University. She is the editor of two anthologies: Let Me Tell You Where i've Been: New Writing by Women of the Iranian Diaspora (2006) and A World Between: Poems, Short Stories and Essays by Iranian Americans (1999). She has written extensively on Iranian diaspora literature and her poetry has appeared in numerous national and local publications. She lives in Berkeley, California.
Marley Eder & Henry Webster: BFA Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Recital consisting of sound and pieces featuring flute and/or violin.
Art School Gallery Exhibitions
D300 Gallery: "Where There Is Smoke" Rowan Smith MFA
D301 Gallery: "Gesture Studies" Sean Flaherty MFA
L-Shape Gallery: "the air is thick here" Christopher Golden BFA
Main Gallery Perimeter: Character Animation Department Exhibition
A402 Gallery: "¿ʍouʞ ʎpɐǝɹןɐ ʇuop noʎ ʇɐɥʇ noʎ ןןǝʇ ı uɐɔ ʇɐɥʍ" Michael Ray-Von BFA
Lime Gallery: "Ode to Atlas" Jessica Castillo BFA
Mint Gallery: "Nothing Seems Strange" Sofia Arreguin BFA
The Herb Alpert School of Music Visiting Artist: Thomas Ankersmit
CalArts, B324
MUSIC: The Experimental Sound Practices program presents visiting artist Thomas Ankersmit, as part of the Survey of Sound Art class re: Serge Synthesizer.
Find out more about Thomas here:
http://esp.calarts.edu/articles/2012-02-09/artist-residency-thomas-anker...
'I Have a Dream'
CalArts, Main Gallery
THEATER: Fran Bennett, theater veteran and CalArts longtime professor, will direct a performance honoring the late Dr. Martin Luther King, Jr. The performance will include an interdisciplinary interpretation of his "I Have a Dream" speech featuring the CalArts community, administrators and students.
Lauren Baba: BFA Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: An evening with the CalArts big band and others, featuring works by Bartok, Satie, Ornette Coleman, Eric Dolpy, Matt Otto and Lauren Baba.
Lee Anne Schmitt: 'The Last Buffalo Hunt' @ REDCAT
REDCAT: For five years, filmmaker Lee Anne Schmitt and her collaborators followed Terry Albrecht, a guide-for-hire for hunters of buffalo, to create The Last Buffalo Hunt. As the mystique of the West becomes a commodity for the nouveaux riches, Albrecht’s livelihood is threatened and cowboys and buffalo alike become ghosts. Read more
Structuring Strategies: Brigid McCaffrey and Thorbjorg Jonsdottir
CalArts, Bijou Theater
FILM/VIDEO: Structuring Strategies presents Brigid McCaffrey and Thorbjorg Jonsdottir.
Brigid McCaffrey
Brigid McCaffrey makes films about subjects who appear to be mis/displaced in the world and the shifting regions they encounter. Featuring Sikhs in the California desert, young female truck drivers on the American interstate, and nuns as riverboat captains, her films have screened in Rotterdam, Portland, Los Angeles, Lisbon, Ann Arbor, and elsewhere. She is currently working with an itinerant geologist speculating on survivalist living in the Mojave region.
CASTAIC LAKE
28:30, 16mm, color, sound, 2010
camera/sound/edit: Brigid McCaffrey
Taking its course, the camera drifts in to the coves and surveys the shorelines of a multi-use reservoir to unearth fragments of its young history and consider a series of possible relationships to this artificial environment. Visits are filled with a sense of potentials and the unseen, the lake's surface separating what is buried and what is to come. Municipal mobilizations, recreational episodes, and small pageants trace this body’s perimeter.
Filmography
Castaic Lake (28:30, 16mm, 2010)
AM/PM (9:00, 16mm, 2010)
Tjúba Ten/The Wet Season, co-directed w/ Ben Russell (47:00, 16mm, 2008)
Lay Down Tracks, co-directed w/ Danielle Lombardi (61:00, 16mm, 2006)
Thorbjorg Jonsdottir
Thorbjorg Jonsdottir grew up in a small fishing village in Eastern Iceland. As a teenager she spent her summers packing lobster in the local freezing factory and hanging out behind the kiosk with her friends. She holds a BA degree in visual arts from the Iceland Academy of Arts and a MFA in filmmaking from the Program in Film & Video at California Institute of the Arts.
Thorbjorg’s films have screened both in galleries and the film festival circuit, in Europe and the US. Thorbjorg currently lives and works in Los Angeles, California where she teaches at California Institute of the Arts, Program in Film and Video.
Óskar afi, Guðrún and Park St
3 min each, 16mm, 2007, 2009, 2011
Three short portrait films, of my grandfather, my niece and the neighborhood where I used to live in Newhall.
Ocean Ocean
15 min, 16mm, 2009,
A young woman discovers a magical chamber in her house. After entering the chamber she begins experiencing a fluid movement in time; the borders of dream and reality blur and unfamiliar characters start appearing in her house.
Amazon (working title, work in progress)
15 min, 16mm on HD
Ten years ago, traveling through South-America, I befriended a family of Huitoto Indians living in the Colombian Amazon. In 2011 I returned to see if I could find them again, and to begin filming a piece on the landscape of the Amazon, the plant medicine used by its indigenous cultures, and the spirit world of the jungle.
John Cage Centenary Festival @ REDCAT
REDCAT: Celebrating the 100th anniversary of John Cage’s birth, REDCAT hosts two nights of rarely played music by the American visionary. The New Century Players, CalArts’ professional new music ensemble, joins forces with the CalArts Orchestra to perform such works as 103, Fifty-Eight and Cage’s seminal graphic score Fontana Mix. Read more
Honoring the Past through Performance
CalArts, Main Gallery
MUSIC: Noon concert
Paul Brach Visiting Artist Lecture Series Presents: Anthony Lepore
Paul Brach Visiting Artist Lecture Series Presents: Anthony Lepore
At CalArts F200
6:00 PM
MFA Writing Program Visiting Artist Series: Melissa Buzzeo
CalArts, Butler Building 4
CRITICAL STUDIES: Melissa Buzzeo has worked as a counselor, curator, professor and palm reader. She has taught at Naropa University, Iowa Writers Workshop, Pratt and Brown University, and has been a resident at the Millay Colony for the Arts. Her first full-length work, What Began Us, was published by Leon Works in 2007. A second, Face, was published by BookThug in 2009. Translated into both French and Catalan, she is the author of three chapbooks: In the Garden of The Book, City M. and Near: a luminescence. Her work has appeared online in Tarpulin Sky and Trickhouse. A new book, For Want and Sound, is forthcoming this year from Les Figues Press. Her current work, The Devastation, is based on the fallibility of a single image: a sea-wreck in language. If water is desire, connectivity, the possibility of current, language itself, what happens when that water is emptied out, when nothing is left but the basin of retrieval, the properties of the body and the memory of matter, addressed. Ms. Buzzeo currently lives in Brooklyn.
Elysia Strauss: MFA Mid-Residency Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Jazz saxophone recital featuring original music by Elysia Strauss and the world premiere of her Indie Rock Big Band.
ILXI concert for 5 voices a capella
CalArts, The Wild Beast
MUSIC: A 30-minute concert for the ensemble of five voices (2 sopranos, tenor, baritone, bass) a capella, presented by guest artist Denis Kolokol.
The Tournées Festival/Film Today: 'Le père de mes enfants' ('The Father of My Children')
CalArts, Bijou Theater
Le père de mes enfants
The Father of My Children
Mia Hansen-Løve
2009 / 110 min.
FILM/VIDEO: Only 30 years old, the prodigiously talented writer-director Mia Hansen-Løve follows her assured 2007 debut, Tout est pardonné (All Is Forgiven), about a drug-addicted dad, with an even more wrenching look at another troubled, charismatic patriarch, inspired by the life and death of French film producer Humbert Balsan.
This event is part of The Tournées Festival, the weekly series of new French films on campus.
Support for the Tournées Festival is provided by:
- The French Ministry of Foreign and European Affairs / The Centre National de la Cinématographie
- The Florence Gould Foundation / The Grand Marnier Foundation / highbrow entertainment.
- www.facecouncil.org
Trumbatubtastic: Aaron Kahn & Devon Taylor
CalArts, The Wild Beast
MUSIC: A BFA mid-residency recital featuring music by Ravel, Bozza, Mobberley and others.
Zirque Michael Bonner: Mid-Residency Jazz Bass Recital
CalArts, Roy O. Disney Music Hall
MUSIC: An evening of original and originally inspired music with the Zirque Michael Bonner Trio.
Mx Justin Vivian Bond: 'Low Double Standards: An Entitlement Program' @ REDCAT
REDCAT: The ragingly multitalented Mx Justin Vivian Bond commands the stage in a hilarious, heart-wrenching cabaret show with original music from the critically hailed debut recording Dendrophile, featuring guileful covers of songs by Kate Bush, Joni Mitchell, LCD Soundsystem, and others—and no small amount of biting political satire. Read more
Hip Hop Fest
CalArts, Coffeehouse Theater
DANCE: A Jordon Waters event and social gathering. Come and enjoy a night of DJ, dance and performance.
The House is Open Preview Concert
CalArts, The Wild Beast
MUSIC: A concert of music from Alex Vassos' upcoming opera.
Louis Lopez: MFA Graduation Recital
CalArts, Roy O. Disney Music Hall
MUSIC: Recital featuring performances with GRAMPUS, MDMD and friends. Thank you to everyone for your support.
Sariah Wong: Eat Me
CalArts, Roy O. Disney Music Hall
MUSIC: BFA mid-residency piano performance recital featuring works by Beethoven, Bach, Ingrid Lee, Taylor Brizendrine, Ravel, Sariah Wong, Steven Trask and John Cameron Mitchell.
Rimpau Live in ROD: Sam Kauffman & Patrick Kelly
CalArts, Roy O. Disney Music Hall
MUSIC: Rimpau plays ROD with some real good friends.
President’s Day
President’s Day
Institute closed; offices closed.
Structuring Strategies: Experimental Filmmaker Vanessa Renwick
CalArts, Bijou Theater
FILM/VIDEO: Vanessa Renwick is the founder and janitor of the Oregon Department of Kick Ass and a daughter of the American Revolution. Born 1961 in Chicago, Illinois. Film / Video / Installation artist. Lives in Portland, Oregon.
An artist by nature, not by stress of research. She puts scholars to rout by solving through Nature's teaching problems that have fretted their trained minds. Working in experimental and poetic documentary forms, her iconoclastic work reflects an interest in place, relationships between bodies and landscapes, and all sorts of borders. She is a naturalist, born, not made: a true barefoot, cinematic rabblerouser, of grand physique, calm pulse and a magnetism that demands the most profound attention.
Toxic Shock
16mm, 3 minutes, 1983
Penetration up the wazoo, blood, fire, gas, needles, tampons, liquid power and cocktails of the burning sort. My experimental response to sweating out near death with Toxic Shock Syndrome.
"an alarming montage that goes from slight discomfort to heavy cramping in just three minutes and includes a bunch of my favorite images all used for maximum performance" —Malloy, Kathy, Snipehunt, Winter 94
Britton, South Dakota
16mm to video - 9 minutes, 2003
Britton, South Dakota by Vanessa Renwick.
Score by Johnne Eschleman. Cinematographer: Ivan Besse (shot in 1938).
Footage obtained from The Prelinger Archives/Rick Prelinger.

Ivan Besse was the Strand movie theater manager in Britton, S. Dakota during the Depression. He had a 16mm camera and went about town shooting people at their various activities during the day. He would show the footage before features and newsreels as a way to lure the people into the theatre. Most of the 2 1/2 hours of footage that he shot is of people walking down the street, there are also scenes of a barn being moved, a corn husking contest and kids running out of school. The footage that really stood out to me was these 8 minutes of portraits of children. They had no idea of what a movie camera was.
The lack of narrative invites dressing these cinematic dolls with futures, now histories. The melancholic drone of the accompanying organ music tends to lead them into sad tragic finery.
“Not only found footage, but a found film made 60-some years ago directly addressing contemporary structural concerns. I wish I had made this film today. Oh, it was made today.” —James Benning
"Britton, SD is of course the greatest of films, one of the few to get to the core of human matters and then stay there for a bit without turning away." —Jem Cohen
9 is a secret
Video 6 minutes, 2002
Score by Donovan Skirvin

"Renwick recounts a sad time in her life, when a friend was dying and she suddenly became aware of the presence of crows. The dark birds in turn point her to the practice of counting crows, which is both a children's rhyming game and a form of divination in which the number of crows suggests events in the future. Eight crows auger death: nine crows reference a secret. Renwick combines these fragments with glimpses of imagery- a bed, the crows captured as silhouettes, a man's twisted body - to craft a lyrical and moving essay that works its magic through poetic accretion rather than narrative logic." —Holly Willis, L.A. Weekly
Portrait #1: Cascadia Terminal
6 minutes, 2005
16mm hand processed and tinted to video
Cinematography: Vanessa Renwick
edited in the camera. Online editor: Tim Scotten.
Score by Tara Jane O'Neil.
The Portrait Series is part of an ongoing series of filmed places, stories and histories of Cascadia with scores by musicians living in the Pacific Northwest.
A mesmerizing stare with a hypnotic score at the most efficient grain terminal at the port of Vancouver, B.C.. The terminal is serviced by the Canadian Pacific Railway and can unload up to 300 cars in 24 hours which is equal to approximately 25,800 tons of prairie grain. Cascadia Terminal...this place, a grain elevator in Vancouver, B.C....a place where many kids used to hang out and get high and make out, a ruin of sorts, even though it is still operating. A large industrial space within the city, on the water, giving one the feeling of space, of being maybe further out in the country. There even used to be a squat there in an industrial bldg. near the property for a bit. Since shooting this film Cascadia Terminal has become tied up with "homeland security" type port issues, and it is not possible to go and hang out there anymore.
Portrait #2: Trojan
2006,
35mm to video,
5 minutes
Trojan Nuclear Facility, Oregon's powerful iconic landmark, goes adios.
Score by Sam Coomes of Quasi.
Shot by Eric Edwards.

"The astonishing five-minute color film was shot in 35MM and transferred to video, sporting a perfectly synched musical score by Quasi's Sam Coomes. No narrative, just a picturesque haunting reminder of our lives under the totem of a nuclear state. Long defunct, the monumental tower was imploded earlier this year and Renwick (of Oregon Department of Kick Ass) decided to capture the haunting silhouette that has simply stood there menacingly for years. She calmly documents its demise, which is very much an anti-climax. The short film adores its subject, the towering cement structure. Over a varying course of time, with lapse and stills we view a building painted in pastel light, stark at night, at dawn and dusk. Its inevitable course in its history would be told through a moment in time when it was no more. In essence, the very moment of implosion infers the ultimate destructive potential of its former chilling power. The film, shot by veteran cameraman Eric Alan Edwards (To Die For, Copland, The Break-Up), is stunning to watch, and perfectly blunt." — TJ Norris
Portrait #3: House of Sound
11 minutes 22 seconds 2009
35mm to HD
Cinematography: Eric Edwards,
score: Jef Brown,
edit: Vanessa Renwick
Online edit: Tim Scotten,
film transfer: Jim Barrett-Downstream
Made with support from Ruth Ann Brown and the Regional Arts & Culture Council
"Circling the empty corner where a historic Portland record store once stood among a strip of black jazz clubs, Portrait #3: House of Sound is a testimonial to a community and cultural space recently demolished. The beautiful black and white 35mm footage, subtly tinged with loneliness, both juxtaposes and compliments the rich, vibrant voices sampled from a radio broadcast tribute to the record shop. The film moves between laughter, fond memories, melancholy and finally, conviction that despite physical destruction, the House of Sound will never die." —MIXFEST
Hope and Prey
3 channel video installation - 22 minutes
Cinematography by Bob Landis and Vanessa Renwick,
score by Daniel Menche
Hope and Prey features stunning wildlife cinematography of animals hunting and being hunted. In composing 3 reels to play side-by-side in a panoramic view the view is like that out in nature, it's a wide landscape where a predator could come at you from anywhere. It is also playing with the fact that predators have eyes on the front of their heads, while prey have eyes on the side of their heads. In this installation the audience definitely has to keep an eye out for danger. The adrenal-pumping dramatic and sometimes brutal nature cinematography is transformed and elevated through black and white high-contrast recomposition and a hyper-dynamic score by Portland's infamous underground composer, Daniel Menche.




