REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

COMMUNITY: To celebrate the recent launch of Afterall 18, please join us for the second week in a three-week rooftop series of sci-fi inspired films and artists videos screened atop the landmark Westin Bonaventure Hotel and Suites in Downtown Los Angeles. All outdoor screenings are FREE and begin at dusk.

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

COMMUNITY: To celebrate the recent launch of Afterall 18, please join us for the final week in a three-week rooftop series of sci-fi inspired films and artists videos screened atop the landmark Westin Bonaventure Hotel and Suites in Downtown Los Angeles. All outdoor screenings are FREE and begin at dusk.

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

REDCAT: Haegue Yang’s practice stems from her interests in the subtle irregularities and minute possibilities that destabilize conventional order. Through deliberate acts of erasing, misplacing, or rearranging the ordinary, Yang’s work directs attention to the underlying structures that regulate perception and experience.
See http://redcat.org/gallery/0708/yang.php

CRITICAL STUDIES: Falling immediately after the Democratic and Republican conventions, CalArts’ acclaimed literary magazine Black Clock celebrates the launch of the politically-themed Black Clock 9 with a reading at the Hammer Museum. The journal’s ninth edition offers political allegory, subversive satire and secret presidential histories. The reading will feature Black Clock 9 contributors--Seth Greenland, Anthony Miller, David L. Ulin, and Black Clock editor Steve Erickson. Entry is free of charge.

FILM/VIDEO: Maureen Selwood, long-time faculty member of Experimental Animation, will present a selection of recent and older films, installation work and fine art in the Bijou Theater. Maureen is returning from a one year leave, so this will be an opportunity to see what she has been working on. Admission is free.

THEATER: The meeting includes a 2008-2009 Season Round-Up and "A History of American Minstrelsy," a brief talk on BLACKFACE MINSTRELS in the U.S. by alumni artist Jason Christophe White.

THEATER: Award-winning performance by Jason Christophe White and Aaron White - 100 years of minstrelsy packed into one explosive hour of historical and contemporary images, intellectually fearless and comedic performance.

MUSIC: Curated by CalArts faculty member Michael Pisaro, this concert features performances and compositions by CalArts alumni Catherine Lamb (composer) and Kathryn Pisaro (oboe). Lamb will present three recent works: Diffraction (a septet from 2007/8), Dove (2006/7) for solo viola, and Splitting (Imagination Piece) (2008) for English horn, guitar and harmonium.

REDCAT:
Opening reception Sep 17: Special musical performance by The Sibleys.

ART:

Mungo Thomson

"In the words of artist Margaret Morgan, Mungo Thomson is a “polymorphous, bastard
conceptualist”—a designation hard to improve on, given the artist’s promiscuously
wideranging art. By turns deadpan and caustically sly—he has manufactured
Styrofoam antenna balls emblazoned with John Baldessari’s bearded visage and
bumper stickers bearing Bruce Nauman’s doxa “The True Artist Helps the World by
Revealing Mystic Truths”—Thomson’s inherently conversational practice both gamely

REDCAT: Perhaps best known for his live, unpredictable performances, John Bock blurs artistic convention, constructing a boundless world all his own. The artist often employs uncanny costumes, assemblages, and props that both reference and examine a range of social, political, philosophical, and aesthetic interests. Gravitating more recently towards multi-media works, Bock’s new project, Palms, co-commissioned by REDCAT and the Schirn Kunsthalle Frankfurt, reflects the artist’s current interest in the narrative structure and genre conventions of film.

CRITICAL STUDIES: Vocalist, poet, sound artist, and writer Latasha N. Nevada Diggs explores sound through a myriad of macaronic verse, language, and electronic vocal processing. Her literary and sound works have been published and recorded in various publications and for music projects ranging from jazz to house. She is the author of two chap-books, Ichi-Ban: from the files of negríta muñeca linda and Ni-ban: Villa Misería and the producer and writer for the conceptual audio project, Televisíon.

DANCE: Mitchell Rose, dance school faculty, presents his one-man show in a film/performance mashup. Not only does Mitchell present his hilarious, innovative films, but he also leads several comic audience participation performance pieces.

For reservations, please call 661.291.3046.